All posts filed under: Movies

Tommy Wiseau, Vegan Pizza, & Gifs

I really enjoyed putting together this casual newsletter-style post back in June, so I thought I’d do another! Here’s what I’ve been watching, listening to, reading, thinking about, doing, eating, and fawning over. What have you been into lately? WATCHING Not to be dramatic, but I’ve been so busy lately that I haven’t had time to watch much TV or go to the movies. As far as television goes I’m currently watching Stranger Things, Transparent, Golden Girls, X-Files, Master of None, and Star Trek: The Next Generation. I’m basically part-way through all of these shows but haven’t been watching consistently. But I did binge the past 10 episodes of I Love You America with Sarah Silverman on Hulu the other night and I LOVE IT — YOU SHOULD WATCH! This past week I saw Star Wars: The Last Jedi and attended the 30th anniversary screening of Die Hard. The movies I plan on FINALLY watching this week include Lady Bird, The Florida Project, and The Disaster Artist, and I’m hoping to see Call Me By Your Name, Lemon, and Lucky soon. Oh can we talk about The Disaster Artist trailer for a …

Lena Dunham’s Rich White Kids

I haven’t had the time to blog lately, so I wanted to jump back into things with a super short post on Lena Dunham. This is just something I wrote on my notes app one night last week, so my thoughts aren’t fully fleshed out, nor are they particularly well assembled. I was thinking a lot about Lena Dunham after she defended an accused rapist and had one of her Lenny Letter writers quit, citing “hipster racism.” Dunham has been doing and saying problematic things for years, and although I really wanted to be a fan (she’s an outspoken writer/director/producer and I look up to that) her work has consistently rubbed me the wrong way. One of the things that has always made Lena Dunham’s work a bit difficult for me to digest (beginning with Tiny Furniture, even though I enjoyed it overall) is that her very wealthy artist New Yorker background is so much a part of her storytelling. Her film, TV series, and writing is always about white girls, but specifically elitist, posh, rich white girls, which is …

10 Film & TV Costumes for Halloween

Over the years Halloween has evolved into one of my favorite times of year. I’m not the type of person who engages in fan communities and does cosplay, but I find so much joy in figuring out a costume and putting it together. Basically, Halloween preparation is a form of self-care for me – as I’m sure it is for most folks who enjoy this time of year. Even if I don’t have solid plans, I know that I’m going to assemble a costume and wear it somewhere, anywhere, simply because it’s fun and makes me happy. Below are 10 film and TV-related costume ideas that I was inspired by. Some are relevant, others not so much, but they’re all fun and fairly simple to put together. 1. Arthur & Buster from Arthur If you’re around my age and grew up watching PBS, then you probably have a warm place in your heart for Arthur. And who doesn’t love that theme song? ♫ Everyday when you’re walking down the street, everybody that you meet, has an original point of view …

A Few of My Favorite 80’s Movies

Oh the 80’s. It was the decade that came and left just before I was born and bestowed us with vibrant clothes, pop music, and Reagan’s regressive policies. It’s the time that my mom refers to mysteriously and with an air of disdain, telling a curious story from her past and concluding with a sigh, “well it was the 80’s.” And when I watch popular American 80’s movies, I think I catch her drift. Below are five of my favorite off-beat, magical, bizarre, and hilarious movies that are quintessentially of the 80’s. What are a few of yours? Raising Arizona (dir. Joel Coen, Ethan Coen, 1987) Raising Arizona is my favorite Coen brother’s film (followed closely by The Big Lebowski) and a Nic Cage favorite as well. Raising Arizona is charming, hilarious, well written, and perfectly cast and performed. The film’s very particular production design, cinematography, and soundtrack also adds to its magic. And as an Arizonan, I seem to have a warm place in my heart for any movie that takes place there.   The Breakfast Club (dir. John Hughes, 1985) Like …

Brown, Kiddo, & Tarantino

OR: Tarantino’s Leading Ladies: Jackie Brown, Beatrix Kiddo, & Women’s Empowerment On-screen Quentin Tarantino’s body of work – from his feature film debut Reservoir Dogs (1992), to his most recent epic The Hateful Eight (2015) – consists of films that are violent, highly stylized, dialogue-driven, oftentimes problematic, and always provocative. Though each film in Tarantino’s oeuvre is quite different from the one that came before it or followed, numerous qualities of his work remain consistent. In each of his films Tarantino celebrates popular culture by commemorating genres that were once relegated to the margins by Hollywood, such as martial arts cinema, Blaxploitation, and spaghetti westerns. While appropriating genres, Tarantino provides his own authorial stamp by writing dialogue-driven scripts which are benefited by episodic structures. A “Tarantino film,” one can almost always be assured, features revenge at the heart of the narrative and creates pleasure through the irreverent combination of humor and violence. And, with each of Tarantino’s films, the appropriateness of his representations of violence, race, gender, and revisionist history, come into question time and …

Recommended Film & TV Books | Part 1

I’ve been studying film and television in school for some years now, so as a result I’ve amassed quite a collection of film and TV-related books. Here’s part 1 of my recommended media texts list – and you can expect a number of these posts in the future since there are so many books that I’ve found to be truly invaluable. Although I’ve linked each book to Amazon, buy locally if you can find them at your community’s bookstore! Save the Cat! The Last Book on Screenwriting You’ll Ever Need by Blake Snyder: Save the Cat! is, indeed, the last book on screenwriting you’ll ever need. The book includes information on high concept ideas, genre-play, beat sheets, and even a bit of pitching advice. It contains basically everything you need to know about coming up with an idea, writing your script, re-writing your script, and getting it sold. Designs on Film: A Century of of Hollywood Art Direction by Cathy Whitlock: There was a point during college when I thought that I wanted to be a production designer, so my boyfriend got …

Hollywood’s Global Domination

My experience of foreign cinema – or the value that it has provided for me personally – is deeply rooted in my national identity and Hollywood’s history of global dominance. Scholar B. Ruby Rich writes in Subtitles: On the Foreignness of Film, “My guess is that foreign films function as a rebuke for some viewers, offering up evidence that the world is not made in ‘our’ image, and that neither our society nor our language is universal.”[1] While I agree with Rich’s evaluation, I’d like to complicate it just slightly. My argument, instead, is that foreign films function as a rebuke for most American viewers specifically, though not all. In his chapter titled Hollywood’s International Market, from The American Film Industry (ed. Tino Balio), Thomas H. Guback describes how Hollywood began to permeate the global film market after World War I, acting in a moment when numerous countries were economically devastated by the war and left financially indebted to the U.S. As a result, due to the surmounting strength of the American film market, international film …

On America, Mobility, & Freedom in “Easy Rider”

“A man went looking for America, but he couldn’t find it anywhere.” Few taglines remain relevant long after a film’s release, but Easy Rider’s ominous warning (“he couldn’t find it anywhere”) maintains its potency nearly 50 years after its debut. In David Laderman’s Driving Visions, he situates the road film genre within an explicitly American context and characterizes Easy Rider (Dennis Hopper, 1969) as “arguably the quintessential, genre-defining road movie.”[1] Following the cult popularity of low-budget biker exploitation films, Easy Rider seems to have borrowed from the aesthetic and tonal vigor of these works, but extended itself to a broader cultural critique that was relevant for a wider spectrum of Americans falling under the banner of “the counterculture.” While the influence of cinema imported from Europe and Asia facilitated the rise of the American auteur, the explosive socio-political context of late 1960’s could also be credited for cultivating unique works which explored social tensions and questions of identity, and more specifically, what it means to be an American. Easy Rider – in addition to preceding …

Fast Fashion & “The True Cost”

The True Cost is one of those documentaries that everyone should watch, and then tell their friends and family to see too. I discovered the film after a friend told me it was necessary viewing, and I’m so grateful for her insistence. In order to be conscientious consumers, it’s imperative that we know where our clothes come from, who’s making it, and how they’re being treated. The True Cost examines the human rights, labor rights, and environmental impact of the garment industry, focusing on the horrific practices of fast fashion in particular. It’s also important to note that with women making up the majority of garment workers across the globe, this topic is a feminist issue as well. Before watching The True Cost I admittedly shopped at places like Zara and H&M because they offered affordable, cute clothing. But such low prices are the first sign that something is not ethically produced. Now I not only shop less (why do we need so much stuff?) but I buy second-hand and search for brands that are known to treat their employees well and embrace sustainable practices. Compared …