All posts tagged: Movie Review

I’ll Blog For You, Too!

This summer, I’m looking to spread my freelance wings and fly! If you’re searching for an experienced writer to produce high-quality articles for your blog, contact me so we can discuss your site’s needs! I have experience with formal academic writing, as well as short-form blogging. If you’re interested in reading a writing sample of my scholarly work, please let me know. Otherwise, here’s a taste of what I’ve written for the web, both on my own blog and elsewhere: ‘Boyhood: In Defense of My Dissenting Opinion’ for Catch-all ‘A Response to Michael Eisner’s Comment That Beautiful, Funny Women Are Hard to Come By’ for Catch-all Jobs review for Critics Associated  Fruitvale Station review for Critics Associated Magnolia Character Analysis for Mr. Rumsey’s Film Related Musings Topics I’m especially interested in writing about include, but aren’t limited to: General film and television criticism and analysis Gender and diversity in Hollywood General pop culture criticism and analysis Feminism and women’s issues Veganism and the environment Various social and political movements Lifestyle and self-care Please email me at vanvalkenburgj@gmail.com or fill out a …

Richard Linklater’s ‘Boyhood’

Negative criticism is fun to write. It leaves us with an air of self-satisfaction, and from the safety our position accords, it allows us to poke fun at someone else’s vision; an opportunity we grasp at as critics. But to fall in love with a film is the greatest treasure offered by cinema. It’s the mesmerizing and enchanting feeling that leaves us spellbound and in awe, and is what drives us to continue to watch films. No such negative criticism should be embellished upon Richard Linklater’s coming-of-age drama, for it’s a peerless effort that stands alone. Boyhood follows the story of Mason (Ellar Coltrane) from age five to eighteen, where we live and breathe his experiences from boyhood through adolescence. We see him bicker often with his sister Samantha (Lorelei Linklater), and join him right through his relatable teenage episodes that seem as real as the grooves in the palms of your hands. Filmed over twelve years, and lovingly sutured together, Richard Linklater’s vision transforms into reality. It’s almost as if we are offered snippets of Ellar Coltrane’s life …

‘Dallas Buyers Club’ – Matthew McConaughey & Jared Leto Deliver Spectacular Performances

Dallas Buyers Club, written by Craig Borten and Melisa Wallack and directed by Jean-Marc Vallée, is based on the true story of Ron Woodroof, a Texan who begins smuggling prescription drugs into the US when he is diagnosed with HIV and finds that the medication he is receiving is not helping. The film stars Matthew McConaughey as Woodroof, Jared Leto as his saucy business partner Rayon, and Jennifer Garner Dr. Eve Saks, his compassionate doctor. It’s 1985. Ron Woodroof is an electrician and bull rider in Dallas, TX. He’s a homophobe, a drug addict, and a man who’s eager to sleep with any woman who’s willing. After living recklessly for quite some time, Woodroof is diagnosed with HIV and told he only has 30 days to live. Soon he becomes aware of his day to day existence – transforming his intense energy into something positive and powerful. When he discovers that AZT, the first HIV medication approved by the FDA, is actually hurting his body rather than helping, Ron establishes the Dallas Buyers Club, selling memberships in …

‘Jobs’ Disappoints, but Kutcher Doesn’t

This week I wrote a review of Jobs for Critics Associated. Read it here, or check out the original. Though unintentional, Jobs provided a number of laugh-out-loud moments. It’s ironic that a film about a well-known perfectionist can be so unbelievably far from perfect. Though against all odds, it seems Ashton Kutcher is not at fault for this week’s box office bomb. His performance as Steve Jobs is good, particularly in his physical recreation of the Apple tycoon, but it’s certainly not great. Problems with Jobs are abundant and obvious, specifically in regards to the writing. Basic conversations are cluttered with “Steve’s,” – each character throwing around the name as though it’s a form of product placement. The film’s dialogue would seem significantly less contrived if the actors only said the name in moments it was naturally necessary. Hearing “Hey Steve,” “Bye Steve,” and “Thanks Steve,” every few minutes or so forces the already poorly written dialogue to appear blatantly artificial. Jobs may leave you wondering: Is this a joke? Ultimately, the issues with Jobs lie in the writing …