All posts tagged: Style

Creating a Cher Horowitz Inspired Outfit

This past July Clueless, the ultimate 90’s coming-of-age film, celebrated its 20th anniversary. Although the movie may be two decades old, I’d argue that its humor and the message at its core is just as relatable today despite Cher’s laughably large cell phone and compulsive use of irrelevant slang. Much of what’s so fun about Clueless is how each character’s wardrobe acts as an extension of themselves. Cher’s style is structured and preppy, but she takes risks with patterns and accessories, which is illustrative of her good-natured, yet sometimes wild personality. I was asked by Farfetch, an online shopping site where you can discover the latest in designer fashion, to recreate an iconic fashion moment in movie history. As both a student and resident of Los Angeles, I’m personally inspired by Cher Horowitz’s take on west coast prep, but I wanted to put a bit of a contemporary spin on her look. Here’s what I came up with: Although the outfit is simple and structured, the fun is in the details. Cher is all about pairing a tucked-in button-up with a sophisticated a-line skirt, and she’s also known to rock a chic headband. Since …

Further Proof That Lupita Nyong’o Is The Coolest Person Ever

When I saw 12 Years a Slave last winter I was immediately mesmerized by Lupita Nyong’o. What a performance! I loved Steve McQueen’s film so much that I saw it in theaters twice, which is a lot for a film that’s so unbelievably horrific and dismal. At both viewings I thought to myself: “who is this woman?”  How can an actor already be iconic after less than one year in the public eye? I’m not sure, but there’s no doubt that she already is. Lupita Nyong’o graced this month’s cover of Vogue and in this video produced by the posh fashion magazine she proves once again that she’s the coolest girl ever.

Moments of Symmetry – “The Grand Budapest Hotel”

If “auteur” were defined on Urban Dictionary.com, it would include a picture of Wes Anderson and stills from some of his uniquely well-crafted films. However, it has not been defined, so no such definition exists. Maybe when I’m bored I’ll add it.  Anyhoo, back to Wes Anderson//auteur theory… In recent years (with films such as The Grand Budapest Hotel, Moonrise Kingdom, and Fantastic Mr. Fox) Wes Anderson’s visual aesthetic has seem to become even more meticulous and well defined. In a short video entitled Mise En Scène & The Visual Themes of Wes Anderson, Anderson discusses his visual style in various interviews (including one with Terry Gross), mentioning his interest in theater as a recurring influence (video credit: Way Too Indie).   After watching The Grand Budapest Hotel (which for the record, I absolutely loved) one aesthetic tendency became very clear to me – even more so than in any Wes Anderson film I had seen before: s y m m e t r y. Nearly ever shot is painstakingly symmetrical, which lends itself to creating the sort of whimsical world within reality that Wes Anderson is known for. The …

Thoughts on Alfonso Cuarón’s ‘Gravity’

If you spend any time on the internet (and you obviously do) you’ve probably heard all about Alfonso Cuarón’s visual masterpiece, Gravity. At one point over the weekend ‘Gravity’ was the top trending hashtag on Twitter. It premiered on Friday and earned over 55.5 million in theaters, taking the number one spot at the box office. I opted to see it in XD & 3-D, but if there was an IMAX nearby I would have gone in a heartbeat. After a few days to think about the movie separate from the overwhelmingly positive opinions of others, I’ve determined that Gravity is not a typical film but rather an engrossing visceral experience. Co-written, co-produced, co-edited and directed by Oscar nominee Alfonso Cuarón, Gravity stars Oscar winners Sandra Bullock and George Clooney as Ryan Stone and Matt Kowalski, astronauts who are left drifting in space after a massive accident and must work together in order to survive. In a large, dark, and chilly theater, it’s nearly impossible not to find find yourself completely immersed in the story – free from any ounce …