All posts tagged: Tarantino

Brown, Kiddo, & Tarantino

OR: Tarantino’s Leading Ladies: Jackie Brown, Beatrix Kiddo, & Women’s Empowerment On-screen Quentin Tarantino’s body of work – from his feature film debut Reservoir Dogs (1992), to his most recent epic The Hateful Eight (2015) – consists of films that are violent, highly stylized, dialogue-driven, oftentimes problematic, and always provocative. Though each film in Tarantino’s oeuvre is quite different from the one that came before it or followed, numerous qualities of his work remain consistent. In each of his films Tarantino celebrates popular culture by commemorating genres that were once relegated to the margins by Hollywood, such as martial arts cinema, Blaxploitation, and spaghetti westerns. While appropriating genres, Tarantino provides his own authorial stamp by writing dialogue-driven scripts which are benefited by episodic structures. A “Tarantino film,” one can almost always be assured, features revenge at the heart of the narrative and creates pleasure through the irreverent combination of humor and violence. And, with each of Tarantino’s films, the appropriateness of his representations of violence, race, gender, and revisionist history, come into question time and …

Reflections – Politics, Award Shows, & the Words We Choose

Oh life, isn’t it complicated? My spring semester started this week, so I’ve had less time to dedicate to this blog. In getting back to posting, I wanted to write about film and television, media representation, or something similar, but I kept being drawn in a different direction. I have so much I’d like to write about in the coming weeks, but for now I just want to ramble about what’s currently on my mind, with no necessary destination mapped out. So back to that whole ‘life is complicated’ statement. This week my head has been flooded with so many thoughts and questions. I’m still flabbergasted that Donald Trump is relevant – let alone the GOP frontrunner – but I’m more upset by the fact that his popularity is not as surprising as it should be. I’m starting to recognize what an open and progressive upbringing I had, and that most of the country doesn’t necessarily think like me or my peers. Yesterday I overheard a white woman asking a black woman where she came from. Her answer? America. The white woman then went on to clarify: “Oh …

Quentin Tarantino on Good Ideas, Hollywood & Filmmaking

Some love his work, others hate his work, but all know his work. I happen to belong to the first group, so today, in honor of Quentin Tarantino’s birthday, I’d like to share a few of my favorite Tarantino quotes. “If you just love movies enough, you can make a good one.” “The good ideas will survive.” “To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.” “I steal from every movie ever made.” “I’m not a Hollywood basher because enough good movies come out of the Hollywood system every year to justify its existence, without any apologies.” “I couldn’t spell anything. I couldn’t remember anything, but I could go to a movie and I knew who starred in it, who directed it, everything.” “All of my movies are achingly personal.” “If I wasn’t a film-maker, I’d be a film critic. It’s the only thing I’d be qualified to do.” “Movies are not …

‘Pulp Fiction’: 20 Facts on the Film’s 20th Anniversary

This is the week of anniversaries! Twenty years ago today, Quentin Tarantino’s most iconic and well-known film was released in theaters. To this day, Pulp Fiction continues to captivate audience members, both young and old. To celebrate, here are twenty facts on the film’s twentieth anniversary: 1. The shot of Vincent shoving the syringe into Mia’s chest was filmed by having John Travolta pull the needle out, then reversing the footage. 2. Whenever Vincent goes to the bathroom, something terrible happens. 3. Quentin Tarantino wrote the part of Jules specifically for Samuel L. Jackson. 4. The passage from the Bible that Jules has memorized was mainly made up by Tarantino and Jackson. 5. The film cost $8.5 million to make – $5 million of which went to the actors’ salaries. 6. Originally, Uma Thurman turned down the role of Mia Wallace, but Tarantino desperately wanted to cast her so he ended up reading her the script over the phone, eventually convincing her to accept the role. 7. “Fuck” is said 265 times. 8. Jules’ car, a 1974 Chevy Nova, is never fully seen, only the interior or parts of …